Skip to main content

UGLY

UGLY

A good director can tell a tale with such honesty that you are just swept away with the force of emotions that are aroused in you. This is in particular the forte of Anurag Kashyap, who doesn’t beat around the bush and states baldly the facts as they are.
Needless to say “UGLY” is a dark, edgy and at times moody movie which, with a wave and a gesture beckons you in to a cesspool of deep, tumultuous relationships, of which selfishness is the core emotion.
A little girl goes missing and the hunt for her starts in earnest. But this ain’t a ganster movie if that’s what you are expecting. It is instead a movie that explores relationships more than any other Anurag Kashyap has ever done.
There is the mother of the girl who has remarried, but finds that happiness eludes her a second time too. In fact, the girl’s stepfather- played by Ronit Roy is a specialist in the art of silent torture and without raising his voice or even resorting to violence is sadistically controlling his wife and her daughter. The girl’s father is a loser of the first order and allows his unachievable ambitions to completely overshadow his life and all his relationships. All the other characters are in some way connected to these three.
The reason that a movie becomes a masterpiece is coz, nothing is left to chance and great care is taken over each and every detail. And Kashyap does this with each and everything in this movie. Be it the casting or the locales or the camera angles, you can see the thought that has gone into each nuance.  This isn’t a movie for the fun and frolic cine-goer, it is for the dedicated movie buff who is discerning and enjoys the genius that goes into making a classic. But all in all it was a movie I really enjoyed.
Each relationship in this movie is so dysfunctional and is probably a derivative of Kashyap’s own life. No character in the movie actually has their own thoughts and most of them end up reacting to what the central character played by Ronit Roy does or says. And for this reason alone I would say that Ronit is the central character of this movie. Anybody who has watched Udaan, knows the acting prowess of Mr.Roy, but this movie catapults him to another strata altogether, and I wouldn’t be surprised if this movie opens even more doors for him. The personal life of this man too, is an utterly fascinating tale and I hope that one day someone else too takes cognizance of that and makes it a biopic.
But I digress, lost is a little girl and all the people related to her do want her back, but they don’t mind terribly if this is a tad bit delayed as long as they are able to reap a few fringe benefits. And so the poor little girl is now being used by all the players involved to further their own agenda.
The tale then becomes so convoluted that even as a viewer you lose complete track of the fact that there is a little girl missing. In fact the end came as a shock to me, and more shocking not for the story value but for the fact that I too forgot that there existed this story coz a little girl was lost! Ha! Ha!
All the actors are perfect in their roles – Tejaswini kolhapure is the Mom, Girish Kulkarni is the cop assisting in the investigation and Rahul Bhat is actually the surprise package as the missing girl’s loser father. Surveen Chawla is understated and super in her portrayal as the truly wicked element, as is the guy playing Rahul Bhat’s friend. A false note is hit though, by the IT expert cops who don’t come across as genuine at all. All the other minor role artistes are reminiscent of the casting that used to happen in movies like Mandi, Bazaar , Chupke Chupke, Bawarchi etc.  Think of it, the entire cast in those movies went on to actually become established names.
This is a movie which satisfied the part of me that craves good cinema. You may feel the same way…..Give it a shot!


Comments

Popular posts from this blog

Monica, O My Darling

Straight off the bat, let me tell you that I went into this movie cold. I just saw the trailer and put it on my watch list. I was totally enamored with the cast and the premise. I knew I was going to watch this one, so I didn't delve into the promotional shenanigans.  So if you are of the same bent of mind, stop reading and start watching.  And on your behalf, I did Google Ankola, it is a town in Karnataka and is not to be confused with Akola in Maharashtra. Ha ! Ha! Netflix has been delighting us with gems like Raat Akeli thi, Haseen dilruba and Bulbul. Add this one to that list and think Gehraiyaan. I need not stress on the proficient star cast. They are masters of their craft. Starting with the sneaky Rajkummar Rao, the sultry Huma Quereshi and the wily Radhika Apte, the ensemble includes the creepy Sukant Goel, the beleaguered Zayn Marie and many others. For me Sikandar Kher was a standout. A shoutout to his intensity and his baritone.  The dialogues are spot on and t...

Razorblade Tears by S A Cosby

    This book belongs to the revenge trope and I enjoyed reading it for a reason, other than just the story or the thrills, it was for the delicious turn of phrase, that the author employed. Here are some examples: “It didn’t seem fair for a man to mourn someone so deeply, whom he had loved so miserly!” “Wound on his cheek was weeping like a broken-hearted bride.” “As careful as a long tailed cat in a room full of rocking chairs.” “Give a man a clipboard and watch his true nature come out.” “He smiled; it was like watching an icicle form.” The story is about two men who are bound by destiny, when their sons who were married, are murdered. The tapestry is enriched by the fact that one family is black and the other is white. Throw in the fact that both the fathers are ex-cons and you have an intrigue on hand. Other than the language I liked the way the conversations were handled and how the characters were revealed by thought, word and deed, rather than extrapo...