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Good things come in threes!

 For me, good things come in threes………. And yet again, three things that made my week and will for certain go on to make my weekend. A web series – The Ba***ds of Bollywood. This is such a fun ride. I must start with the mockery that is made of the entire Sameer Wankhede incident. They found an actor who closely resembles the real-life officer; it is hilarious. It is just good fun, and should be taken in that spirit, forget the cries of nepotism; I know of generations who practice the same profession repeatedly, so let us give this one a rest, shall we? It has all the ingredients of a bhel puri, and they are used well. So do not watch this one expecting caviar. We have seen Raghav Juyal and Lakshya Lalwani slug it out in Kill and show very good chemistry, so also in this one. One brilliant scene is the one in which the protagonist scares the heebie-jeebies out of a critic, who is totally modeled on Rajeev Masand. Too much fun! And such swagger! And ah Bobby Deol, the phoenix – what...
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Kho gaye hum kahan

 Kho gaye hum kahan Indeed! What just happened? What did i just watch? Siddhant Chaturvedi and Gourav Adarsh we knew about, but who knew Ananya Pandey could act ? Did anyone see this coming? This methinks is her mike drop moment. More about the movie though, as I have already said this one is cast perfectly. The production team knew what they wanted and they squeezed out the performances that they wanted. For a debutante director, Arjun Varain Singh, has made a splash of the same magnitude that whales make.  I was doing stuff around my apartment and watching too, and kept replaying because I wanted to miss no expression and wanted to see all the subtleties, so eventually I gave up on my chores and plonked down with intent and I am glad that I did so. The dialogues were superb, case in point: Boy: I need space Girl: Astronaut ho kya?  Hilarious! The emotional ones got me too. It is a movie about 3 besties, 2 of whom are a part of the gig economy and the third has a steady,...
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Laapata Ladies

 Do you know that feeling when one reads a fairytale, or sees a cartoon and something terrible is happening? Like when the princess is kidnapped? Or Tom has caught Jerry? And in spite of knowing that, you also know in a happy nook of your heart, that just around the corner is happiness again. Well, this movie is just like that. A terrible thing happens to 2 newly wed couples and you know immediately, this silly fracas will be over soon, but you want to know how it shall resolve itself. The journey is so engrossing. Kiran Rao, comandeers this vehicle and hooks your attention. There are characters galore, but of course, Ravi Kishen enthralls you. His turn here will remind you of another of his excellent performances, in Welcome to Sajjanpur. Both the brides, are brilliant. Kiran Rao deserves a lot of kudos, for drawing out their talent. I hope she doesn't make us wait too long for her next one. (It has been 14 years since Dhobi Ghat!) What is a good journey without good music? And th...
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May December.

 May December. Every relationship is inherently fraught with insecurities, and how one reacts to these fumbles leads to a deepening or shattering of the relationship. Imagine a 35-plus-year-old lady, deciding to live her entire life with a boy old enough to be her son, Ah! I am sure the French president just crossed your thoughts, but no that is a very stable and well-thought-out relationship, nay a strategy one would say, with shades of a lavender marriage, a la- Hugh Jackman.  Too much rambling? Have I just confirmed what you guys knew all along? That I am a lady with loose screws and missing marbles? Ha! Ha! Or it could be that I was watching a movie that led to deep thinking and I shared it with you here.  I watched May December on Prime Video, last night and it threw me for a toss. 1- Because Natalie Portman, a brilliant actress by any standards simply kills it in this movie. She is so vile that I hated her, and that should help you gauge her performance. 2- The resu...
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The House of the Dragon.

 The House of the Dragon. I just can not get over how ordinary this series is. Game of thrones was a game changer in so many ways and inspired such frenzy in all of us.  It was one of those rare series, which more people had watched, than had not watched! Things could have ended better with it, I do agree. But, then you would also have to admit that the Benioff-Weiss team set standards so high, that the flight had to experience some turbulence or even a rough landing. It did! But The House of the Dragon is a flight, which for me at least hasn't even achieved enough speed to take off! It is merely taxiing on the runway, with no clear set of instructions from the ATC. It is bland and boring and now in episode 6, I am beginning to see more of Ekta Kapoor in it, than #GRRM. If you think we #GOT fans were shortchanged with the last few episodes, be very sure that #HOTD, is the real travesty. I didn't attempt to watch it at all when it was on Disney and even after its migration to J...
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Gehraaiyan

  Gehraiyaan This is one of the first hindi movies I have enjoyed in a long while, and that is because it is pure entertainment. I watched it and I liked it and I didn't try and explore its morality or the why's and wherefores. It might never become a cult classic like others in its genre, namely Silsila, Masoom, Arth or even Pati patni aur woh, but it is a decent watch. Fidelity is a state of the mind and even a golden oldie like Navrang addressed it as such. Putting that aside, this movie belongs to Deepika Padukone all the way. But, ah the dashing and devious devil, Siddhant Chaturvedi makes a mark too. Deepika/Alisha is a conflicted individual, whose backstory is relayed to us in bits and pieces. The irony is that, her perception of everything is colored by her version of the truth. Watch how she takes pictures and then crops them. That's a peak in to her state of mind. She tries to err on the safe side always, and it reflects in her choice of life partner even. Her cou...
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Aap Jaisa Koi

  This is an average, run of the mill movie, that I watched a while back. There was no reason for it to have occupied so much space in my head for so long, in spite of having Madhavan in it. I certainly wouldn't recommend it to anyone. The technicals are average and the artistry is very mundane. The only reason it has spent so much time with me is because of a silly review that I read about it. The review lauded it as a clarion call for women's emancipation and also went on to state that it was a story about liberated women. That really got my goat and I know that unless I put pen to paper or my delicate fingers to the qwerty, I wouldn't be able to push it out of my rapidly dwindling grey cells. What emancipation is being spoken of here? A woman having an MCP for a husband suddenly can not tolerate the patriarchy, and how does she react? She suddenly develops feelings for a neighbor or maybe he was a tenant, I am not sure and I couldn't be bothered to find out. The trig...
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